Hi! I'm an MFA-trained theatre-maker, writer, and AEA actor based in Brooklyn, New York. Interactive performance is my focus; my work also includes new plays and musicals, film, commercials, video, experimental theatre, performance art, Shakespeare, voiceover, dramaturgy, digital games, and more. I've spoken at schools and conferences around the country on performance, queerness, and play. I'm a queer, transmasculine artist with a pet tree frog named James Pond.
My artistic home in NYC is with the New York Neo-Futurists, where I perform, write, and teach year-round. I've also worked as an actor on projects with Planned Parenthood, It Gets Better, Arena Stage, Trinity Rep, Edinburgh Fringe, Intiman Theatre Festival, San Francisco Neo-Futurists, UglyRhino, the Brick, Broken Ghost Immersives, Woodshed Collective, the Lark, Bushwick Starr, Drama League, New York Public Library, Brooklyn Public Library, and in independent films.
As a voiceover artist, I've worked with Dipsea, the Neo-Futurists' podcast Hit Play, The Strange Case of Starship Iris, and as the voice of Michael Witten in Season 3 of Within the Wires, a production of Night Vale Presents.
I perform regularly with The Williams Project, a Seattle-based, living-wage theatre ensemble. The Seattle Times has described our work as "transcendently gorgeous" and named our production of Tennessee Williams' Orpheus Descending one the best productions of the year.
I write new plays, musicals, and immersive shows (and, once, for The Toast). My collaborators, clients, and presenters include: Virgin Voyages, New Ohio, Dixon Place, AntiMatter Collective, The Brick, Caveat, Stage74, and the San Francisco Neo-Futurists. I've received funding from the ART/NY Bel Geddes fund and the City Artist Corps. I've studied devised theatre with Elevator Repair Service. My immersive work was included in the inaugural Future of Storytelling festival in New York City, and I attended Northeastern University's 2018 summit for immersive creators, Analog Holodeck.
My work as a dramaturg has taken me to the Kennedy Center and the New Harmony Project. I was a script reader for Roundabout Theatre Company from 2014 to 2018 and a 2010 LMDA Dramaturgy Fellow.
I teach writing through the New York Neo-Futurists and have led workshops at Wellesley College, Georgetown University, and Babson College. I also write a monthly print zine, available via Gumroad and Patreon. I am a Sexual Harassment Prevention trainer through ART/NY and a standardized patient at Weill Cornell School of Medicine.
I grew up near Dallas, Texas. I received my MFA in Acting from Brown/Trinity Rep, and a BS in Theatre Studies from the University of Evansville, with a minor in graphic design. As an undergrad, I also spent a semester in England at Harlaxton College, where I studied Shakespeare and British History.
My pronouns are they/them and he/him.
My artistic home in NYC is with the New York Neo-Futurists, where I perform, write, and teach year-round. I've also worked as an actor on projects with Planned Parenthood, It Gets Better, Arena Stage, Trinity Rep, Edinburgh Fringe, Intiman Theatre Festival, San Francisco Neo-Futurists, UglyRhino, the Brick, Broken Ghost Immersives, Woodshed Collective, the Lark, Bushwick Starr, Drama League, New York Public Library, Brooklyn Public Library, and in independent films.
As a voiceover artist, I've worked with Dipsea, the Neo-Futurists' podcast Hit Play, The Strange Case of Starship Iris, and as the voice of Michael Witten in Season 3 of Within the Wires, a production of Night Vale Presents.
I perform regularly with The Williams Project, a Seattle-based, living-wage theatre ensemble. The Seattle Times has described our work as "transcendently gorgeous" and named our production of Tennessee Williams' Orpheus Descending one the best productions of the year.
I write new plays, musicals, and immersive shows (and, once, for The Toast). My collaborators, clients, and presenters include: Virgin Voyages, New Ohio, Dixon Place, AntiMatter Collective, The Brick, Caveat, Stage74, and the San Francisco Neo-Futurists. I've received funding from the ART/NY Bel Geddes fund and the City Artist Corps. I've studied devised theatre with Elevator Repair Service. My immersive work was included in the inaugural Future of Storytelling festival in New York City, and I attended Northeastern University's 2018 summit for immersive creators, Analog Holodeck.
My work as a dramaturg has taken me to the Kennedy Center and the New Harmony Project. I was a script reader for Roundabout Theatre Company from 2014 to 2018 and a 2010 LMDA Dramaturgy Fellow.
I teach writing through the New York Neo-Futurists and have led workshops at Wellesley College, Georgetown University, and Babson College. I also write a monthly print zine, available via Gumroad and Patreon. I am a Sexual Harassment Prevention trainer through ART/NY and a standardized patient at Weill Cornell School of Medicine.
I grew up near Dallas, Texas. I received my MFA in Acting from Brown/Trinity Rep, and a BS in Theatre Studies from the University of Evansville, with a minor in graphic design. As an undergrad, I also spent a semester in England at Harlaxton College, where I studied Shakespeare and British History.
My pronouns are they/them and he/him.
