Hi! I'm an MFA-trained theatre-maker, writer, and AEA actor based in Brooklyn, New York. Creating new interactive theatre is the focus of my work. My ten years in the arts also includes new plays and musicals, film, commercials, video, experimental theatre, performance art, Shakespeare, voiceover, dramaturgy, digital games, producing, playwriting, teaching, and more. I've spoken at schools and conferences around the country on performance, queerness, and play. I'm a queer trans man and use both he/him and they/them pronouns.
My artistic home in NYC is with the New York Neo-Futurists, where I perform, write, and teach year-round. I've also worked as an actor on projects with Planned Parenthood, It Gets Better, Arena Stage, Trinity Rep, American Theatre Wing, Edinburgh Fringe, Intiman Theatre Festival, the San Francisco Neo-Futurists, Fault Line Theatre, the Brick, Broken Ghost Immersives, UglyRhino, Woodshed Collective, the Lark, the Bushwick Starr, the Drama League, New York Public Library, Brooklyn Public Library, and in independent films. I've appeared at the Largo (Los Angeles), C'Mon Everybody, Venus in Fur, and Metropolitan (Brooklyn).
As a voiceover artist, I've worked with Dipsea, the Neo-Futurists' podcast Hit Play, The Strange Case of Starship Iris, and Night Vale Presents. I am the voice of Michael Witten in Season 3 of Night Vale's Within the Wires, for which I received a 2019 Audio Verse award.
I perform regularly with The Williams Project, a Seattle-based, living-wage theatre ensemble. The Seattle Times has described our work as "transcendently gorgeous" and named our production of Tennessee Williams' Orpheus Descending one the best productions of the year.
I write new plays, musicals, and immersive shows. My collaborators, clients, and presenters include: Virgin Voyages, ART/NY, Skidmore College, the New Ohio, the Brick, Dixon Place, AntiMatter Collective, Caveat, Stage74, Powerhouse Theatre, and the San Francisco Neo-Futurists. My immersive work was included in the inaugural Future of Storytelling festival in New York City, and I attended Northeastern University's 2018 summit for immersive creators, Analog Holodeck.
I teach writing through the New York Neo-Futurists and have led workshops for adults in NYC and for students at Wellesley College and Babson College.
My work as a dramaturg has taken me to the Kennedy Center and the New Harmony Project. I was a script reader for Roundabout Theatre Company from 2014 to 2018 and a 2010 LMDA Dramaturgy Fellow.
I've given talks on queerness, performance, and play at PodX, McNally Jackson, and Skidmore College. I've received funding from the ART/NY Bel Geddes fund and the City Artist Corps. I studied devised theatre with Elevator Repair Service. I am a Sexual Harassment Prevention trainer through ART/NY and a standardized patient at Weill Cornell School of Medicine.
I grew up near Dallas, Texas. I received my MFA in Acting from Brown/Trinity Rep, and a BS in Theatre Studies from the University of Evansville, with a minor in graphic design. I studied devised theatre with Elevator Repair Service. As an undergrad, I also spent a semester in England at Harlaxton College, where I studied Shakespeare and British History.
Get in touch with me via email or Instagram, both linked below.
My artistic home in NYC is with the New York Neo-Futurists, where I perform, write, and teach year-round. I've also worked as an actor on projects with Planned Parenthood, It Gets Better, Arena Stage, Trinity Rep, American Theatre Wing, Edinburgh Fringe, Intiman Theatre Festival, the San Francisco Neo-Futurists, Fault Line Theatre, the Brick, Broken Ghost Immersives, UglyRhino, Woodshed Collective, the Lark, the Bushwick Starr, the Drama League, New York Public Library, Brooklyn Public Library, and in independent films. I've appeared at the Largo (Los Angeles), C'Mon Everybody, Venus in Fur, and Metropolitan (Brooklyn).
As a voiceover artist, I've worked with Dipsea, the Neo-Futurists' podcast Hit Play, The Strange Case of Starship Iris, and Night Vale Presents. I am the voice of Michael Witten in Season 3 of Night Vale's Within the Wires, for which I received a 2019 Audio Verse award.
I perform regularly with The Williams Project, a Seattle-based, living-wage theatre ensemble. The Seattle Times has described our work as "transcendently gorgeous" and named our production of Tennessee Williams' Orpheus Descending one the best productions of the year.
I write new plays, musicals, and immersive shows. My collaborators, clients, and presenters include: Virgin Voyages, ART/NY, Skidmore College, the New Ohio, the Brick, Dixon Place, AntiMatter Collective, Caveat, Stage74, Powerhouse Theatre, and the San Francisco Neo-Futurists. My immersive work was included in the inaugural Future of Storytelling festival in New York City, and I attended Northeastern University's 2018 summit for immersive creators, Analog Holodeck.
I teach writing through the New York Neo-Futurists and have led workshops for adults in NYC and for students at Wellesley College and Babson College.
My work as a dramaturg has taken me to the Kennedy Center and the New Harmony Project. I was a script reader for Roundabout Theatre Company from 2014 to 2018 and a 2010 LMDA Dramaturgy Fellow.
I've given talks on queerness, performance, and play at PodX, McNally Jackson, and Skidmore College. I've received funding from the ART/NY Bel Geddes fund and the City Artist Corps. I studied devised theatre with Elevator Repair Service. I am a Sexual Harassment Prevention trainer through ART/NY and a standardized patient at Weill Cornell School of Medicine.
I grew up near Dallas, Texas. I received my MFA in Acting from Brown/Trinity Rep, and a BS in Theatre Studies from the University of Evansville, with a minor in graphic design. I studied devised theatre with Elevator Repair Service. As an undergrad, I also spent a semester in England at Harlaxton College, where I studied Shakespeare and British History.
Get in touch with me via email or Instagram, both linked below.
